Cindy Stockton Moore |
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| 'Narrowed Plot' -- Installation view, Arlington Arts Center | ||||||||
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| CURRENT NEWS: | ||||||||
A new wall drawing - worlds end. - is currently on view in the group exhibition In Retrospect at GrizzlyGrizzly. |
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| Save the date: Opening reception: October 13, 2019 for the solo project - an openness to all things lovely I am currently an Artist in Residence at the historic Glen Foerd on the Delaware. You can find out more about my research here. |
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| In February 2019, I participated in The Chalkboard Chronicles at the ArtYard in Frenchtown, NJ - a temporary drawing project curated by Tom Judd. Here is more about my drawing and animation. | ||||||||
My exhibition 'Narrowed Plot' was recently on view at Arlington Arts Center as a part of the Fall SOLOs series. October - December 2018. |
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| A pair of wall works, 'No More We Can Hold' was on view at the 3-person exhibition 'Still Time' at Mount Airy Contemporary. Here is a recent review by Edith Newhall for the Philadelphia Inquirer. | ||||||||
| 'A Mesh is also a Snare' at Esther Klein Gallery featured a collaborative video I made with Rachel Wetzel and Sarah Pulver. | ||||||||
| My site specific installation Other Absences is currently on view at Eastern State Penitentiary in Philadelphia --- the project has been extended through December 2019. You can read Peter Crimmins essay on 'Other Absences' for WHYY. Here is an article by Tom Deignan that examines the history behind the work in relationship to contemporary conversations around immigration. | ||||||||
| The two-person exhibition with Rebecca Saylor Sack, Mute Things, was on view at Stockton University Galleries from January 17 - March 22, 2018. It featured a new wall work that spans both floors of the galleries. The exhibition was curated by Jacob Feige; you can read his insightful essay here. | ||||||||